{"id":102,"date":"2020-07-27T09:43:43","date_gmt":"2020-07-27T09:43:43","guid":{"rendered":"https:\/\/lighthousebooks.org\/index.php\/product\/103-home-cooked-meals\/"},"modified":"2024-12-08T20:32:29","modified_gmt":"2024-12-08T20:32:29","slug":"highlights-on-poetry-drama-prose-and-literature-vol-1","status":"publish","type":"product","link":"https:\/\/lighthousebooks.org\/index.php\/product\/highlights-on-poetry-drama-prose-and-literature-vol-1\/","title":{"rendered":"Highlights on Poetry, Drama, Prose, and Literature Vol. 1"},"content":{"rendered":"

Highlights on Poetry, Drama, Prose, and Literature Vol. 1<\/h3>\n

Dr. Meghan Findlay, (Editor)<\/strong><\/p>\n

This book covers keys areas of Literature. The contributions by the authors include Epiphany, Epistrophe, Epitaph, Epithet, Eponym, Equivocation, Essay, Etymology, Euphemism, Excursus, Exemplum, Exposition, Extended Metaphor, Fable, Fairy Tale, Fantasy, Farce, Figures of Speech, Flash-forward, Flashback, Folklore, Foreshadowing, Foreword, Genre, Haiku, Hamartia, Harangue, Homage, Homograph, Homophone, Horror, Hubris, Hyperbaton, Hyperbole, Idiom, Imagery, Inference, Innuendo, Intertextuality, Invective, Irony, Jargon, Juxtaposition, Kairos, Legend, Limerick, Lingo, Literary Device, Litotes, Malapropism, Maxim, Melodrama, Memoir, Metanoia, Metaphor, Metonymy, Mnemonic, Monologue, Montage, Motif, Motto, Mystery, Myth, Narrative, Narrator, Nemesis, Neologism, Nostalgia, Ode, Onomatopoeia.<\/p>\n

Chapters of the book:<\/strong><\/span><\/p>\n

Chapter 1<\/strong>: “Father to my story”: writing Foe, de-authorizing (De)Foe
\nManuel Almagro Jim\u00e9nez
\nHighlights on Poetry, Drama, Prose, and Literature Vol. 1, 10 December 2021, Pages: 5-20<\/p>\n

Chapter 2<\/strong>: An aspect of lexicography still not fully professionalized: the search for antedatings and postdatings (with examples mostly from English and some from other languages)
\nDavid L. Gold
\nHighlights on Poetry, Drama, Prose, and Literature Vol. 1, 10 December 2021, Pages: 21-40<\/p>\n

Chapter 3<\/strong>: Specialized bilingual dictionaries for translators (some considerations for a user-oriented approach)
\nAdelina G\u00f3mez Gonz\u00e1lez-Jover
\nHighlights on Poetry, Drama, Prose, and Literature Vol. 1, 10 December 2021, Pages: 41-57<\/p>\n

Chapter 4<\/strong>: Intonation focus in the interlanguage of a group of Spanish learners of English
\nFrancisco Guti\u00e9rrez D\u00edez
\nHighlights on Poetry, Drama, Prose, and Literature Vol. 1, 10 December 2021, Pages: 58-72<\/p>\n

Chapter 5<\/strong>: The manipulative power of word-formation devices in Margaret Atwood’s Oryx and Crake
\nPaula L\u00f3pez R\u00faa
\nHighlights on Poetry, Drama, Prose, and Literature Vol. 1, 10 December 2021, Pages: 73-90<\/p>\n

Chapter 6<\/strong>: A theoretical review of the speech act of suggesting: towards a taxonomy for its use in FLT
\nAlicia Mart\u00ednez Flor
\nHighlights on Poetry, Drama, Prose, and Literature Vol. 1, 10 December 2021, Pages: 91-105<\/p>\n

Chapter 7<\/strong>: “What then?”: poststructuralism, authorial intention and W. B. Yeats
\nBrendan McNamee
\nHighlights on Poetry, Drama, Prose, and Literature Vol. 1, 10 December 2021, Pages: 106-126<\/p>\n

Chapter 8<\/strong>: On the phatic interpretation of utterances: a complementary relevance-theoretic proposal
\nManuel Padilla Cruz
\nHighlights on Poetry, Drama, Prose, and Literature Vol. 1, 10 December 2021, Pages: 127-140<\/p>\n

Chapter 9<\/strong>: Toni Morrison’s “Love” and the trickster paradigm
\nSusana Vega Gonz\u00e1lez
\nHighlights on Poetry, Drama, Prose, and Literature Vol. 1, 10 December 2021, Pages: 141-255<\/p>\n

Chapter 10<\/strong>: Celebrating slang and unconventional English, once again: an interview with Terry Victor
\nAntonio Lillo Buades
\nHighlights on Poetry, Drama, Prose, and Literature Vol. 1, 10 December 2021, Pages: 256-270<\/p>\n

Chapter 11<\/strong>: Cognitive semantics and axiology: a new proposal to study metaphor in economics advertising discourse
\nMar\u00eda Enriqueta Cort\u00e9s de los R\u00edos
\nHighlights on Poetry, Drama, Prose, and Literature Vol. 1, 10 December 2021, Pages: 271-281<\/p>\n

Chapter 12<\/strong>: English nouns and verbs ending in -scape
\nDavid L. Gold
\nHighlights on Poetry, Drama, Prose, and Literature Vol. 1, 10 December 2021, Pages: 272-297<\/p>\n

Chapter 13<\/strong>: Moral certitude and moral ambiguity in Bernard Bergonzi’s The Roman Persuasion
\nFrederick Hale
\nHighlights on Poetry, Drama, Prose, and Literature Vol. 1, 10 December 2021, Pages: 298-320<\/p>\n

Chapter 14<\/strong>: The use of discourse markers in E.F.L. learners’ writing
\nAna Cristina Lahuerta Mart\u00ednez
\nHighlights on Poetry, Drama, Prose, and Literature Vol. 1, 10 December 2021, Pages: 321-352<\/p>\n

Chapter 15<\/strong>: The Philomathian Society and political debate in late Eighteenth Century England
\nJos\u00e9 Francisco P\u00e9rez Berenguel
\nHighlights on Poetry, Drama, Prose, and Literature Vol. 1, 10 December 2021, Pages: 353-372<\/p>\n","protected":false},"excerpt":{"rendered":"

\n

Dr. Meghan Findlay, (Editor)<\/strong><\/p>\n<\/div>\n

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